This system was fast, very fast in Marcus Miller’s bass guitar playing on the tune “Panther”. Zellaton chooses speed over ultimate bass extension and I must say that transients were as quick as it gets. Staying on jazz music, a glorious sense of space emerged from the system on Bill Evans “Waltz for Debby”, a trait I would attribute to the open back design of the speaker cabinet which allows for back waves to freely irradiate in a quasi-dipole manner. If I had to be picky I would point out some grain on certain passages but in show conditions there is quite a lot happening in the room and unfortunately we heard no voices, which would have cleared things up. Still an impressive performance.