Are you having fun being an audiophile?
The question should have a straightforward “yes” answer. But it doesn’t, always, does it? Why would you not have a great time with this hobby? I’ll submit that — maybe, at least for some — it’s because of our obsession with equipment, tweaks, cables and the latest recommended component, any or all of which make that two-year-old acquisition look hopelessly obsolete.
Me? I am an audiophile of the old school, I like big expensive gear. I have fun going to audio shows and talking about those tiny little details that made a “significant difference” in my system’s performance. That’s fun. But like many (most?) of you, it was music that got me into all this, and at least for me, it’s my collection of old pressings that is the crown jewel of my system.
As a matter of fact, I have a great time being an audiophile because I enjoy my system, it makes me want to listen, and so I do, to hours of great music, every day that I can manage it.
The hobby has also made me many friends, especially from forums around the globe. With most of them, we have never met but we keep track in the various threads. Which brings me to the traveling tapes.
Say wha–? Tapes?!?
Well yes, in case you missed it, cassette tapes have a certain following too, and I’m a sucker for things like this. There was a tiny little problem though; my tape deck has been gathering dust for ages. As a teenager, I must have recorded a gazillion tapes and then when I did the radio show, we used tapes for commercials. But this was way way back, and since then, my deck ended up in the summer-house along with other memorabilia of the era. Happily, this “problem” was easily solved, and after calling a few friends from the local audio-video forum, a couple of tape decks materialized inside my living room.
But (there is always a but) the TEAC was also sitting unused for quite some time and when we listened to the results they had audible wow and flutter. So a second tape recorder, a rather pedestrian Technics M240X came to the rescue. Can’t say that I am satisfied by the end result, as this is not what I would call a high fidelity, but you know what? It was oh so much fun! Adjusting recording levels, channel matching and listening to the hiss and noise of a newly recorded tape was … priceless.
The tapes went from Greece to the Netherlands and then all the way down to Australia with Asia patiently waiting its turn. Each of us is contributing three “significant tracks of our years”. My choices, since I was the only participant from Greece, came from the local repertoire. “Dynata”, a major blockbuster from singer Eleftheria Arvanitaki composed by Ara Dinkjian back in 1995; the concerto from Chatzidaki’s Gioconda’s Smile, a record produced by Quincy Jones, which captures the quintessence of the local music; and for last, a dance (Tsamikos) from classic composer Nikolaos Skalkotas, a pupil of Kurt Weil and Arnold Schoenberg. Other members from Vinyl Engine threw in pieces from JJ Cale, Fleetwood Mac, Blondie and listening to their selections brought back memories of tape swapping from the late 80s.
Sound quality is not excellent, especially by today’s standards, but does it matter? No — in fact, it was so much fun, I will be taking part next year too.
What about you? Are you having fun playing around with your gear, or has your quest for perfection stolen away the magic and joy? For me, with those old tape decks, I got to remember the times when my interconnects were not all that important; when having fan was.