After a week of decidedly avant-garde recordings that glance off the side walls of contemporary jazz, Nicholas Brust and his latest album, Frozen in Time, are a needed respite. Referred to as a “premiere saxophonist of his generation,” Brust has that smoky, sexy way of playing the sax that will sound familiar to most jazz fans–his notes are long, extended and heartfelt, just like words. It’s a moody sound, one that speaks of big cities and open windows and the gentle [...]