I consider part of my job in reviewing an audio component as a search for the truth–while knowing full well there is no absolute objective truth. There is only my subjective truth, in my listening […]
The first time I heard the Marten Oscar Duo (website), right out of the box, one word came to mind. That word was fast. Dave McNair, currently reviewing the much larger Marten Oscar Trio, […]
2L Recordings from Norway (website) tends to release its titles in clusters, and sometimes right before the holidays so that we secular folk can also have a soundtrack for the falling snow on the other […]
The Vimberg Amea (website) loudspeaker is a two-way, stand-mounted loudspeaker. I’m bringing this up first for a very good reason. When I first arrived at the front door of the Part-Time Audiophile headquarters more than […]
It was such a pleasure to find Margules Audio exhibiting at FLAX 2020. I’ve known the Margules family of Mexico City for many years, back to when Colleen and I used to regularly visit their […]
Ayon Audio and USA Tube Audio brought to Rocky Mountain Audio Fest one of the more popular rooms at the show. Not only for bringing great sound, and a stunning product, but for consistently playing […]
New at Munich is VIMBERG, springing from the minds, hands and creative work of Jörn Janczak of TIDAL. My understanding is that this line of loudspeakers will very much have “DNA” derived from the much more […]
Originally spotted in Munich at the High End Show, we’ve been anxiously waiting to hear the VPI Fatboy tonearm. VPI dropped the Fatboy details before AXPONA in a press release, so I was jazzed to […]
Ooooh, pretty! Is there a rule that audiophiles must be fetishists, too? If so, it’s written in the Big Audiophile Rule Book (BARB), right under the note that says we’re all f***ing nuts. But yes, […]
Jed Kunz of Clearwave Loudspeaker Design sent me a pair of his Symphonia 7R monitor loudspeakers back in October. They’re ebony, and the shine on these guys is enough to qualify them as signaling tools. […]
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