Florida 2019: Saturday with Paul
by Paul Elliott VPI Mat and Harry Weisfeld did not escape NJ to the sunny south, Marc Boyle was down repping VPI in a couple of rooms, so I asked Marc about the design [...]
doshi
RMAF 2018: Cardas Audio Excels with Joseph and Doshi
I saw a lot of those Cardas Audio blue cables from their Clear and Clear Beyond line at the show. I have a theory on why this is…1. they sound damn good meaning they [...]
AXPONA 2018: Nick Doshi Builds a Time Machine
A few months before AXPONA, Nick Doshi of Doshi Audio showed up at The Audio Company, a superb local hi-fi store in Marietta, Georgia. The program was to show local [...]
AXPONA 2018: The MUST SEE Rooms of Day Three
Welcome to Chicago There are over 160 rooms and exhibits here at Axpona. Making this event the largest audio show in North America. For some this can be overwhelming and [...]
RMAF 2017: Must See Sunday and Eric’s MVP
Photojournal by Eric Franklin Shook Don’t fret, more in-depth coverage is coming soon from your slightly unorganized, inept, and dysfunctional writing crew at Part-Time [...]
AXPONA 2017: Lee’s Best of Show
This year’s AXPONA was the second one I attended and I thought it was a very well produced event. Many manufacturers were represented and attendance appeared very [...]
AXPONA 2017: Trends, rants and John’s Best of Show
The audio-show year kicked off for me with an eardrum-flexing snare shot in Chicago at Audio Expo North America. If those three hectic days near the end of April are any [...]
AXPONA 2017: The Reel Deal
A photojournal by Eric Franklin Shook I love trolling the physical format cat fights on Facebook. “Vinyl vs Digital – Bowl of Milk, Party of Two”: blah blah, yada [...]
AXPONA 2017: Doshi takes a balanced view of tubes
I first met Nick Doshi in 2013 at the Rocky Mountain Audio Fest where he was showing a prototype of his v3.0 monoblocks, a push-pull design that used four KT-150 tubes to [...]
AXPONA 2017: Joseph Audio, Jeff Rowland, Cardas put things in perspective
“The t-i-i-i-i-i-mes they are a ch-a-a-a-a-a-nging,” howled a high-pitched, impossibly nasal singer as I entered a room at AXPONA that highlighted equipment by Joseph [...]