
Fink Team and the Return of the Epos ES-14 | High End 2022
Every once in a while I hear about a new high-end audio product, or even see a photo of it, and I instantly want to know more. (That’s how I wound up owning a pair […]
Every once in a while I hear about a new high-end audio product, or even see a photo of it, and I instantly want to know more. (That’s how I wound up owning a pair […]
Co-hosting all these Brit-fi podcasts with Brian Hunter on The Occasional Podcast has certainly whetted my appetite for BBC monitors. Lately we’ve been fixating primarily on the LS3/5a, but I can’t tell you how excited […]
The Naim SuperNAIT 3 integrated amplifier, above all, is about trying to reconnect with my past—at least a little bit. Back in December I traveled down to Los Angeles for the first time in at […]
Of all the audio gear I came close to buying over the last forty years, I probably got closer to a pair of LS3/5as than anything else. I’m reminded of that constantly in the presence […]
A funny thing happened on the way to finding the perfect 2-way bookshelf monitor. When I first had the opportunity to review the new Volti Audio Razz (announcement, website), I imagined this 3-way floorstanding horn […]
Whenever I see a pair of two-way monitors with a high price tag such as the Stenheim Alumine 2 loudspeakers from Switzerland, I’m immediately intrigued and I immediately want to sit down and listen to […]
Spendor is BACK! Yeah, I know I already used that line with the Bob Carver room, but in this case it’s a little more personal. I started my high-end audio journey with Spendor, first with […]
If you’ve been reading my stuff for a while, especially the original Vinyl Anachronist column for Perfect Sound Forever, you probably know of my fondness for Gene Rubin of Gene Rubin Audio in Ventura, California. […]
Sometimes I feel like I can spot a classic BBC monitor from a mile away, or in this case from across the main halls of the MOC at High End 2019. “Is that the Graham […]
Panagiotis Karavitas and I both opted to cover the Garrard and SME exhibit at High End 2019, and we were both granted the opportunity to report on what was arguably the biggest news at the […]
Friday was my first full day at High End Munich 2019. Thursday, the first day of the show, was sabotaged by a combination of a long-ass sleepless night on the plane followed by a late […]
It’s been a while since I’ve gotten excited over a so-called “budget” component, which is why the MoFi, Wharfedale and Quad room at AXPONA 2019 was such a unexpected surprise. I visited Jonathan Derda and […]
DSA stands for Dynamic Sounds Associates, but they might as well call themselves Dat is Super Awesome. Hmm. Okay. Welp, that’s probably why I never got anywhere as a marketing professional. Oh well. Never mind. At […]
by Rafe Arnott Spendor is a speaker brand that has been hand-built by UK craftsmen in Hailsham, Sussex since the ’60s. I imagine them as salt-of-the-Earth types that don’t fanny about and who curse often […]
by John Richardson Oh my, these seem like big speakers, or more like two giant monoliths bearing down on me as it sit in my listening chair. Good lord, I think these things are about […]
Like most show goers, I have a problem keeping rooms straight. It’s either “that big Magico room” or that “little Channel Islands room.” It’s never, until I look at my never-complete-enough notes, that I remember […]
Too many exhibitors saw too little of us. Worse yet, we heard too little of them to write anything fair. We could say they were lovely. We could complain that they sounded terrible. The exhibitors, […]
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