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AXPONA 2017: Tidal’s sonic wave floods room with the spirit of music

As I stood mutely at the front of the crowded room I couldn’t help but wonder if I’d stumbled into some kind of church, or worship service by accident.

There was powerful keyboard music with thunderous bass being played through a huge sound system that was raising the hair on my arms, a dozen or more people were seated in front of me with heads bowed, eyes closed, and seemed to be silently mouthing words like “My God,” and “Good Lord.”

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Tidal Akira loudspeaker: $215,000 USD ($294,000 CAN).

Then the music stopped, and a neatly dressed man with glasses, and a solemn look on his face walked to the front of the room, raised his hands, and thanked those seated for being there just as everyone’s eyes looked up in unison. I held my breath, waiting for the sermon to begin. “You’re listening to the Tidal Akira loudspeakers…” 

The illusion broke, and everything snapped back into focus. This wasn’t a religious meeting after all, these people weren’t praying at a gloss black, and polished chrome altar of sound, it was merely Doug White from The Voice That Is introducing AXPONA attendees to a full Tidal Audio system in his room at the Westin O’Hare.

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Aurender N-10 Music Server $7,999 USD ($10,930 CAN).

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AXPONA 2017 coverage proudly brought to you by Noble Audio.

Truth be told, I think I can be excused for the confusion, as the components White brought with him to Chicago were capable of spiritual enlightenment. This was one of those carefully curated, and holistic sound systems that benefits greatly from being designed to work together, from the pre-amplification, to the power amps, speakers, and even the cabling, this gear was all voiced from the Tidal factory to compliment one another. As a result this was one of those transcendental listening experiences where everything comes together.

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Tidal Presencio Reference Preamplifier with Phono $77,900 USD ($106,500 CAN).

I had first heard White’s room efforts back in 2016 at Newport Beach, and was deeply impressed with the Tidal system fronted by a LampizatOr Golden Gate DAC that he had curated for that show. As a result I’ve continued to seek his rooms out at every show where he has had a room, and he has never failed to leave an indelible mark on those who have heard his efforts. AXPONA this year was made even more noteworthy because of the North American premier of Tidal’s second-from-the-top loudspeaker effort – the Akira – and the debut of Transfiguration’s Proteus D low-output moving-coil cartridge with its diamond stylus/cantilever assembly.

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Proteus D LOMC cartridge $10,500 USD ($14,350 CAN).

Set-up on a TW-Acustic Raven AC-3 turntable fitted with a 10.5-inch TW tonearm this was a deadly combination that translated what seemed like endless bottom end in conjunction with effortless upper frequencies, and midrange.

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TW-Acustic Raven AC3 turntable $20,000 USD ($27,350 CAN).

Both the analog, and Aurender N10/Bricasti M1SE digital combinations astounded me with their startling, holographic treble/upper midrange clarity, and immense projection of visceral power to lower-register bass, and piano notes. Voices, and stringed instruments contained sinewy organic textures that recreated those subtle human cues which are capable of fooling one’s brain into believing there is not only a body present in the room creating the music, but a spirit too.

–Rafe Arnott

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Powerful, authoritative, and wholly convincing.

award-sighting-sm

Equipment list:

4 Comments on AXPONA 2017: Tidal’s sonic wave floods room with the spirit of music

  1. Dear Rafe,

    You wrote:

    As I stood mutely at the front of the crowded room I couldn’t help but wonder if I’d stumbled into some kind of church, or worship service by accident.

    There was powerful keyboard music with thunderous bass being played through a huge sound system that was raising the hair on my arms, a dozen or more people were seated in front of me with heads bowed, eyes closed, and seemed to be silently mouthing words like “My God,” and “Good Lord.”

    # # #

    I checked with Doug White, and he agrees with me that the piece of music you refer to most likely was from a playlist I created for John Atkinson’s et al’s visit to The Voice That Is, a playlist that consists entirely of cuts produced and recorded by Morten Lindberg for Norway’s 2L label. That particular track was Iver Kleive’s cathedral pipe-organ version of Simon and Garfunkel’s “Bridge Over Troubled Water,” from Orgelmusikken fra deUSYNLIGE (2L-066-SACD).

    Those wanting to peruse the entire playlist (seven tracks, lasting about an hour) can go here for sound bytes and backstories:

    http://thetannhausergate.com/index.php/2017/04/04/1000-years-of-western-music-history-in-6-tracks/

    All the best,

    John Marks

  2. Rafe, as much as your written words capture the magical nature of the sound in room 342, your gorgeous pictures totally convey the ethereal beauty of the system, it was an incredible feast for the senses for all who happened upon this special room! Thanks for your comprehensive coverage of all the partners in the room, some tend to minimize the contributions of lesser known brands in the room.

  3. I too thought the Tidal speakers sounded fantastic…I am more of a panel speaker guy, but the Tidals were very very good.

2 Trackbacks / Pingbacks

  1. Part-Time Audiophile High End 2017: Tidal Audio releases Camira Reference DAC, Ferios Monobloc
  2. Part-Time Audiophile AXPONA 2017: Rafe’s highlights, sounds, thoughts, and wrap-up

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