RMAF 2014: Felicitous PranaFidelity

Munich 2024 brought to you by Underwood HiFI

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Logo - Blue VectorAs is his wont, Steve Norber of PranaFidelity was once again cheerfully and seemingly effortlessly bringing great sound to the RMAF Atrium. This year, he elected to demonstrate his Fifty90 stand mount loudspeakers ($3,950). Preamplification was from the purna/ca, which is available as a single-ended line stage for $4,500, balanced for $5,950, single-ended with a phono stage for $8,500, or balanced with a phono stage for $9,950. The phono stage accommodates both moving magnet and moving coil cartiges, and has multiple loading options. Amplification was the purna/ma amplifier ($8,950). The sources were a Technics RS 1500 reel to reel with a Charles King outboard tape head preamp, a Kuzma turntable with a Denon DL103 mounted on a Kuzma 4-Point tonearm, a ModWright modified OPPO CD player, and an Exogal Comet DAC with DSD ($2,229).

Norber’s oft-stated goal is to remove barriers between the listener and the music and create an experience that feels musically right. With these goals in mind, he demonstrated how the Fifty90 loudspeakers’ tuning can be tweaked with small toggle switches on the back to suit the listener’s taste or to suit the room or even the recording. With just a flip of a switch, the treble can be brought to the forefront, the bass can be goosed, or one can opt for a more flat, neutral sound.

I had a chance to listen to this system with multiple sources and multiple tunings, and I gotta say, no matter the source or the toggle position, the Fifty90s sounded great. In combination with the Purna components, the sound was dynamic, rich, and lacking in any kind of graininess. The Fifty90s were easily the best speakers under 5k I heard over the course of the weekend. It seems like every time I listen to a PranaFidelity room at a show, I walk out thinking, “Wow, that was surprisingly good.” It’s really well past time I started giving Mr. Norber more credit, and stopped being surprised.

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6 Comments

  1. I listened to the 50-90 for a while at RMAF. I quickly stopped listening for faults; because I could not detect any. I found myself listening to music and enjoying it to the fullest. I want a pair!

  2. I heard Steven say the VPI/Miyajima was planned, however was lost in transit, so he brought his Kuzma/Denon.
    The equipment list I picked up had the corrections.
    The sound in this room was second to none.
    So engaging and tonally right!

  3. Hi Kirsten. Not sure what room you are reporting on… the photos clearly show a Kuzma turntable with a Kuzma 4 point arm and a Denon cartridge… not a VPI with Miyajima cartridge…
    Kind regards
    David

    • Oh, gosh darnit, good catch — I have to admit, I was going by the equipment list Steve gave me, but clearly there were some changes I should have caught. You’re right — that’s a Kuzma with a Denon 103. Thanks to you and Hank for the correction.

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