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Gershman Acoustics, The Vinyl Revivers, Bel Canto, Accuphase, Rega | CAF 2019








The Gershman Acoustics room, hosted by The Vinyl Revivers, was the last room I visited at the 2019 Capital Audiofest. The Part-Time Audiophile staff had just completed our show wrap-up on The Occasional Podcast, and I was thinking about heading out. I checked my list one more time and there I saw it–The Vinyl Revivers, Gershman, Bel Canto, Accuphase, Rega. No check beside it. Uh oh. While most exhibitors were already packing up to leave, I snuck into the Gershman Acoustics room and everyone was still inside, listening to music. Besides, how could I pass up a chance to say hello to Ofra Gershman, one of my favorite people in audio?

Capital Audiofest 2019 brought to you in part by Tenacious Sound.

Capital Audiofest 2019 brought to you in part by Verdant Audio!

Gershman Acoustics was showing off their new Grand Studio 2 loudspeakers (price TBA), which looked like two substantial 2-way monitors welded together. My first impression was that they looked like high-tech stacked Advents. That’s not exactly fair since both speakers feature different crossovers. The sound, of course, was far different than a pair of stacked Advents.

The rest of the system was an odd combination of components, and I say odd only because so many different brands were represented in a single rack. I was thrilled to see the Accuphase E-270 integrated ($5799) in the mix, looking like a golden-hued ’70s receiver from the past. The source was a Naim CD player used as a transport, backed up with a Bel Canto DAC. Everything was wired with Nordost. I asked Ofra about the unusual system, and she explained that The Vinyl Revivers wanted to represent a few of their brands in the room. When I pointed out the Naim CD player and how I loved them and how I’ve actually owned two, she smiled. “That’s ours,” she said.

None of this variety affected the sound, which I found to be smooth but with extraordinary clarity. The Gershman Acoustics Grand Studio 2s were so much more than four 2-ways working together in unison. The bass was rich, deep and accurate, and the highs were lovely. Sometimes the last room at the show is a chore, a chore that can be rushed through. Instead I found myself relaxing and getting deeply involved with the music. I thought about the 2019 Capital Audiofest and how it was truly a great show, one that featured room after room of delightful sound. I’m glad I didn’t miss out on the Gershman Acoustics room, and next time I won’t pop in at the last possible minute.